14” Chinese Blue & Red Dragon Vase Doucai Style Qing Republic Period Porcelain

14” Chinese Blue & Red Dragon Vase Doucai Style Qing Republic Period Porcelain

$4,000.00
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14” Chinese Blue & Red Dragon Vase Doucai Style Qing Republic Period Porcelain

14” Chinese Blue & Red Dragon Vase Doucai Style Qing Republic Period Porcelain

$4,000.00

14-Inch Chinese Porcelain Vase — Blue Underglaze Dragon with Iron-Red Accents — Doucai Style — Late Qing to Republic Period (c. 1890-1930)

An exceptional Chinese porcelain vase of elegant pear-shaped form, beautifully painted with a five-clawed imperial dragon executed in deep cobalt-blue underglaze, surrounded by fine iron-red and copper-green floral and border motifs. The dragon, symbolizing imperial power and strength, is depicted in vigorous motion, rising amidst stylized clouds and flames.


The flared mouth is delicately adorned with pink peony blossoms and plum sprays, contrasting gracefully with the restrained blue and white palette of the body. Around the shoulder and foot run narrow bands of geometric and ruyi scrollwork, painted in overglaze iron red—a hallmark of doucai (contrasting color) technique developed during the Ming dynasty and perfected during the Qing.

The unglazed footrim and warm-toned biscuit base suggest Jingdezhen kiln origin, while the translucent glaze and crisp detailing indicate production in the late Qing to Republic period, when artists sought to revive classical Ming designs for connoisseur collectors and export markets.


🔹 Details

Origin: Jingdezhen, China

Period: Late Qing to Republic (c. 1890-1930)

Style: Doucai (contrasting colors)

Motif: Imperial dragon with floral borders

Height: 14 inches (35.5 cm)

Medium: Porcelain with underglaze cobalt and overglaze iron-red enamels

Condition: Excellent; no chips or repairs, light age wear

Mark: Unglazed foot; no reign mark (typical of Republic-era work)


💎 Curatorial Commentary

This vase demonstrates the exceptional precision of late imperial porcelain artistry. The use of both underglaze and overglaze techniques — characteristic of doucai — required dual firings at different temperatures, showcasing the technical mastery of Jingdezhen craftsmen. The five-clawed dragon identifies this design as one associated with imperial symbolism, representing strength, authority, and cosmic balance.

Comparable Republic examples appear in the collections of the Nanjing Museum and Christie's archives, where similar works have realized strong collector interest for their transitional craftsmanship bridging imperial and modern aesthetics.

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