Antique Chinese Blue & White Landscape Charger 19th C. Qing 15” Hand Painted

Large Chinese Blue and White Porcelain Charger

Qing Dynasty, 19th Century (c. 1850-1890)

Provenance: The Estate of Judge Jacob Tysen, New York

Diameter: approx. 15 in.

A substantial Chinese porcelain charger expertly painted in vivid underglaze cobalt, depicting an immersive scholar's retreat landscape of pavilions nestled among ancient pines and weathered rocks above a curved garden bridge. This classical garden vista, populated by trees rendered with delicate feathered brushwork, evokes the cultured leisure of the literati and the enduring tradition of contemplative painting in porcelain.

The border is adorned with finely drawn crysanthemum and peony blossoms, symbols of longevity, refinement, and distinguished status, separated by a meticulously painted lattice band inspired by textile and architectural motifs. The charger's large scale and well-balanced design make it an impressive statement in the canon of Qing export wares.

The reverse displays a wide, unglazed footrim typical of 19th-century kiln stacking, together with firing inclusions and cobalt traces resulting from traditional wood- or coal-fired production methods.

🌸 Highlights

Elegant depiction of a scholar's garden with pavilions and bridge

Hand-painted underglaze cobalt, with fine linear shading and textural brushwork

Traditional floral and lattice border; symbolic botanicals of nobility and longevity

Large display size, 15 inches, intended as a wall or cabinet piece

From the distinguished estate of Judge Jacob Tysen (New York)

🏺 Condition

A stable hairline and rim losses are present, commensurate with age and historical use. Kiln speckling, firing spots, and glaze pooling are inherent to 19th-century manufacture and underscore the authenticity of its traditional production. The piece remains compelling as a decorative and cultural artifact, with strong visual resonance.

This charger embodies the enduring Qing tradition of translating literati aesthetics into porcelain — landscapes intended not merely as decoration, but as poetic windows into cultivated retreat. Its scale, refinement, and symbolism align it with the aspirations of educated society and with the export desire for elegant, narrative imagery.

A striking display object for collectors of Asian export porcelain, blue-and-white art, and estate-provenance antiquities.